<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Book Authors/Fiona Davis on jasoncarloscox.com</title><link>https://jasoncarloscox.com/reading/by-author/book-authors/fiona-davis/</link><description>
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on jasoncarloscox.com</description><generator>Hugo -- gohugo.io</generator><language>en-us</language><copyright>Content licensed CC BY-SA 4.0</copyright><lastBuildDate>Sat, 13 Jun 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://jasoncarloscox.com/reading/by-author/book-authors/fiona-davis/index.xml" rel="self" type="application/rss+xml"/><item><title>The Stolen Queen by Fiona Davis [Reading]</title><link>https://jasoncarloscox.com/reading/the-stolen-queen/</link><pubDate>Sat, 13 Jun 2026 00:00:00 +0000</pubDate><guid>https://jasoncarloscox.com/reading/the-stolen-queen/</guid><description>&lt;p>This book has a fun storyline, and all the details about ancient Egypt are interesting. But I didn&amp;rsquo;t like it all that much. After the first few chapters, I could tell that everything would probably turn out far too well, and it did. I can tolerate one or two unlikely coincidences to make the story work, but &lt;cite>The Stolen Queen&lt;/cite> was full of them.&lt;/p>
&lt;p>As I write this, I&amp;rsquo;m realizing that Dickens&amp;rsquo;s novels also tend to have rosy endings thanks to unrealistic circumstances, and yet I love Dickens. Perhaps it&amp;rsquo;s a difference in writing style &amp;ndash; I adore Dickens&amp;rsquo;s super verbose prose &amp;ndash; or maybe he does a better job of at least dragging the reader through some sorrow on the way to his happy endings. Whatever it was, somehow &lt;cite>The Stolen Queen&lt;/cite> felt too happy and shallow.&lt;/p></description></item></channel></rss>